Wixiban | Star Trek Trading Card Guide

Star Trek: The Next Generation - Behind the Scenes

This set dedicates cards to many of the main crew personnel from behind the scenes of Star Trek: The Next Generation. Each person featured describes their job on the set of a Star Trek series. Most also give their favourite episode(s). It also gives an interesting insight into some of the tricks of the trade. Released as a sealed plastic box numbered sequentially to 50,000.

Manufacturer

Date of release

Production run

Packs per box

Card per pack

Card size

Skybox

1993

50,000

N/A

2½" x 3½"

Base Set

BTS01

Behind the Scenes
STAR TREK: THE NEXT GENERATION is a unique endeavor; a rare occasion when the television medium rises to a level of quality and success that makes the world sit up and take notice. The success of the show is due, in no small part, to the high quality of its production. A dedicated and talented cast and crew work diligently to create episodes that rival major motion pictures in their production quality. And this is accomplished within tight TV budgets and timetables – production units have only one week to complete their phase of work on an individual episode! While STAR TREK: THE NEXT GENERATION has definitely been a commercial success, its continued excellence is a result of the dedication and care that everyone working with the show contributes to its creation.

BTS02

Robert Sordal
Key Grip
"lAM THE KEY GRIP ON STAR TREK: THE NEXT GENERATION; this means I am in charge of all the grips who work on the production. A 'Grip' is a person responsible for some of the physical aspects of production, like moving set pieces, taking sets apart (to free up space) and rebuilding sets. Grips move starfield backgrounds and all set backings, and are in charge of all camera movement. I think that STAR TREK: THE NEXT GENERATION is as popular as it is because on the show, anything is possible."

BTS03

Joe Menosky
Co-Producer
"AS CO-PRODUCER, MY JOB is one percent inspiration and ninety-nine percent caffeine. I started out on the show as an executive story editor. I remember the time (story editor) Brannon Braga and I were in a yogurt shop and actually recognized actress Suzie Plakson without her KELEYR Klingon make-up; people can look very different in 'real-life' vs. behind the scenes. By the way, we all shared a fudge-pistachio supreme (non-fat, of course). Exploring the frontier is still very much a part of the American soul, even if the 'frontier' (as such) no longer exists. STAR TREK: THE NEXT GENERATION provides us with a substitute frontier."

BTS04

Michael Okuda
Scenic Art Supervisor / Technical Consultant
"I AM RESPONSIBLE FOR THE GRAPHIC DESIGNS ON THE SHOW. This includes control panels, animated readouts, alien written languages, signage, logos, and other graphic detailing on props and sets. Along with Rick Sternbach, I also serve as a technical consultant to our producers and writing staff, we help to make sure that our 24th century technology is reasonably consistent and plausible from a scientific point of view. Early in the series, Patrick Stewart asked Rick Sternbach and me how warp drive worked. We explained some of the concepts, but emphasized that faster-than-light travel is considered pretty much impossible by today's science. 'Nonsense,' Patrick interrupted, 'All you have to do is say, "Engage".' (And he was right…)"

BTS05

Alan Bernard
Production Sound Mixer
"lAM RESPONSIBLE FOR THE LIVE RECORDING MIXING ON THE SET as an episode is being filmed. I and my crew Bill Gocke and David Bernard) have been nominated for an Emmy four years in a row, and have won twice (for Q WHO and THE BEST OF BOTH WORLDS, PART 2). "The quality of the acting and the technical work on STAR TREK: THE NEXT GENERATION are the best in television, and I think that's what makes the series so popular and successful. I have to say a big 'Thank You' to the production company and Paramount for giving me the opportunity to work on the show."

BTS06

Dennis Mandalone
Stunt Coordinator
"AS STUNT COORDINATOR, I CHOREOGRAPH AND COORDINATE all action sequences on the show. I am responsible for lining up all stunt 'doubles' (substitutes for regular actors used in stunt sequences) and stunt players. I have also appeared as a stunt performer as well as an actor on the show. My favorite experience on STAR TREK: THE NEXT GENERATION was an action-filled show where I played a security guard who gets 'blasted' by a phaser; five minutes later (in the episode) I was a stunt double for an evil Klingon who was shot by Worf, and I fell through a glass-bottom floor 20 feet to the ground!"

BTS07

Brannon Braga
Story Editor
(Not LIsted on Credits Card)
"I AM A STORY EDITOR. My job: to boldly write what no one has written before. I remember a time working for STAR TREK: THE NEXT GENERATION when the writing staff took a limousine to Mexico on a 'brain-storming' trip. We came up with seven new story ideas-and several of us came up with new illnesses. I think that STAR TREK: THE NEXT GENERATION show is as successful as it is because it depicts a hopeful, compelling future – a future worth living and caring about, a future that's fun to watch and dream about. Of course, the show also looks great! To all the fans of the show, I'd just like to say that we appreciate your obsession."

BTS08

Rick Sternbach
Senior Illustrator / Technical Consultant
"I AM INVOLVED IN SPACECRAFT AND PROP DESIGN, and I interact with the model makers and prop builders to coordinate colors, articulated parts, and so on. I also help our production designer with sketches of the sets before they are built. The technical consulting side of my duties sees Mike Okuda and myself assisting the writing staff with scientific terms and concepts, both 'real' and 'bogus' 24th century, helping to keep the show consistent and believable. I attribute the success of STAR TREK: THE NEXT GENERATION to good, solid stories and scenarios, a consistently logical universe and characters, and the ability to address real issues and explore new ideas.'

BTS09

Robert Legato
Visual Effects Supervisor
"MY MAIN JOB AS VISUAL EFFECTS SUPERVISOR is to interpret, budget, design, and supervise the visual effects in a given episode; in other words, I take the written description and script intent and create a visual translation for as little time and money as possible. I have also been an episode director, as well as a second unit director. The 'second unit' films scenes other than the main action of the episode; for example, the second unit might film crewmen in engineering while the first unit is filming a scene on the bridge. I believe the tremendous success of STAR TREK is the combination of Gene Roddenberry's optimistic vision of the future and the many talents in front and behind the camera that bring the optimistic vision of STAR TREK: THE NEXT GENERATION to life in such an impressive way."

BTS10

Gary Speckman
Set Designer
"BEING A SET DESIGNER ON A WEEKLY TV SHOW can be hard work; being the set designer on a show as visually complex as STAR TREK: THE NEXT GENERATION can be really, really hard work! In my job, I analyze all areas of set requirements from the script, coordinate with the production designer on concepts, and draw plans and details that are necessary for the construction crews to fabricate the physical sets. As one of the design team for the show, and because I design and draw the sets, I sometimes find myself slipping into a 24th century time frame!"

BTS11

Merri Howard
Unit Production Manager
"THE JOB OF A UNIT PRODUCTION MANAGER deals mostly with pre-production and day-to-day production of the filming unit. I prepare and coordinate the budget, and assist in all aspects of the production to insure continuing efficiency. I oversee all crew personnel. I am the liaison between the production company and the studio, reporting on the operations of the company, showing work covered and the status of the production filming unit. I also assist many departments in the studio lot with regard to promotion and publicity. "STAR TREK: THE NEXT GENERATION portrays a kinder, gentler world without violence or prejudice; it offers a positive view for the future. I'd like to say 'Thank you' to the fans for all the support they have given the show."

BTS12

Joe Longo
Prop Master
"I MANUFACTURE AND ACQUIRE ACTION PROPS FOR THE SHOW. These include tricorders, phasers, alien artifacts, etc. I recall a scene that took place in Ten-Forward that called for an unusual drink of some sort; I used plain blue food coloring to tint the water in the glass, not expecting anyone to actually drink it. Unfortunately, that's what Jonathan Frakes' character (Cmdr. Riker) did – and much to everyone's surprise (and amusement), his whole mouth turned blue!"

BTS13

Jeri Taylor
Co-Executive Producer
"THE POSITION OF CO-EXECUTIVE PRODUCER CONSISTS OF MANY JOBS: Writer, producer, confessor, therapist, ambassador, nurturer, arbitrator, nurse, and all-around 'mother.' I find it amusing that when I took this job working on STAR TREK: THE NEXT GENERATION, it was the first time in fifteen vears that my children actually took my career seriously! People have been captivated by good storytelling for thousands of years; we're just continuing that tradition on our show. Clearly, the fans of STAR TREK: THE NEXT GENERATION are intelligent, sensitive tasteful, refined, literate, knowledgeable, compassionate, and in every way superior to non-fans.

BTS14

Dick Browfield
Mechanical Effects Coordinator
*THE MECHANICAL EFFECTS COORDINATOR is responsible for the conceptualization and design engineering of 'on camera' (live action) effects, such as wind, rain, fire, smoke and fog. These include pyrotechnics, electronic and mechanical effects. While filming the episode "Q-PID," the castle set required numerous burning torches. Since 'real' wooden torches are too unpredictable for film, our torches were fueled by propane gas. Unfortunately, several faulty valves resulted in 'unscheduled* large torch flare-ups, unnerving any cast member who happened to be nearby!"

BTS15

Douglas F. Dean
First Assistant Director
"THE FIRST ASSISTANT DIRECTOR IS RESPONSIBLE FOR preparing and scheduling the show. I am also in charge of running the set. STAR TREK: THE NEXT GENERATION is an extremely well-produced and intelligent television program. My favorite anecdote about the show is the day that Jonathan Frakes did an imitation of a rubber french fry – and bounced right through the bridge wall!"

BTS16

Elaina M. Vescio
Set Security Officer
(Not LIsted on Credits Card)
"AS SET SECURITY OFFICER, I AM RESPONSIBLE for maintaining a safe and secure workplace for the cast and crew. I know who is who, and whether or not a person is allowed to enter the stages or the production areas. Security provides constant surveillance of all stage entrances (to detain any possible intruders), and acts as a form of traffic control. At wrap time,' I secure/set/check the alarm systems, along with other traditional guard duties. Unfortunately, I rarely get to see our shows outside of hiatus, since I put in an average of 14 or more hours a work-day, five days a week. To all the fans of STAR TREK: THE NEXT GENERATION: Keep those cards and letters coming, but remember… don't try to sneak on my stages, 'cause I'll get ya!!! Ha! Ha!"

BTS17

Robert Blackman
Costume Designer
"I AM RESPONSIBLE FOR THE DESIGNING and supervision of the manufacturing of all the costumes for STAR TREK: THE NEXT GENERATION. The costumes for the show are an integral part of the look and feel of the 24th century environment we are trying to represent. I think that STAR TREK: THE NEXT GENERATION'S success could be due in part to a universal desire within all of us for peace in our future."

BTS18

Brad Yacobian
First Assistant Director
"AS ONE OF THE FIRST ASSISTANT DIRECTORS for
STAR TREK: THE NEXT GENERATION, my main job is to make sure the set runs smoothly. The best thing about STAR TREK THE NEXT GENERATION, and I think the reason for its continued success, is the great fans our show has.

BTS19

Ronald D. Moore
Co-Producer
"I STARTED WORKING FOR STAR TREK: THE NEXT GENERATION as a staff writer. Now, even though my position is Co-Producer, my job responsibilities follow these primary steps:
(1) Write an episode.
(2) Re-write step 1
(3) Repeat step 2 until told to stop.
The most 'insane' story I was ever pitched: 'An alien race tries to communicate to Counselor Troi through a form of insanity, because an Amish-like race wants to eat them.' …Huh? I think that STAR TREK: THE NEXT GENERATION is successful because it portrays a positive, idealistic view of the future where we have settled our racial and civil problems… and pizza is free!"

BTS20

Marvin Rush
Director of Photography
"I AM THE LEADER OF THE CREW AND CINEMATOGRAPHER: this means I am responsible for the photographic 'look' of each episode.
How the set is shot, what characters are in frame, what angle the camera is at, etc., etc. – all these factors influence the look and 'feel' of the final result. Once, we were filming on the bridge, doing a 'ship shake,' and Michael Dorn (Lt. Worf) needed help to get enough movement to simulate the shake. I got behind him and physically shook him during the take… it looked really foolish, and the entire cast and crew broke out laughing (I wanted to die). The #1 reason that STAR TREK: THE NEXT GENERATION is the success that it is would have to be the terrific characters that you want to invite into your home each week."

BTS21

David Livingston
Producer
"AS PRODUCER OF STAR TREK: THE NEXT GENERATION, it's my job to say 'NO' to anyone who wants to spend money, and to say
'YES' to anyone who wants to save money. I say 'NO' a lot; I've yet to say 'YES.' I was honored to have the fish in Captain Picard's ready room named after me. Of course, for dinner it devours cute, defenseless little wiggling goldfish… it's nice to know the crew sees me that way. To the fans of STAR TREK: THE NEXT GENERATION: Thank you for helping me feed my family (Zoe, my wife and Brian, my son), and for helping to pay my mortgage for the past five years."

BTS22

Dan Curry
Visual Effects Supervisor
"MY WORK ENTAILS DESIGNING, BUDGETING AND SUPERVISING the execution of visual effects shots. This involves shooting specific elements, motion-control miniatures, and matte paintings. It also includes overseeing effects animation, and the compositing of shots, as well as second unit directing. One of my favorite stories about the show was the way that we made the drone robot for the episode titled ARSENAL OF FREEDOM. Its primary components were a shampoo bottle, a plastic Easter egg, and a pantyhose container! The visual effects of STAR TREK: THE NEXT GENERATION are the result of a team effort by many dedicated people; we all hope that you (the fans) enjoy them!"

BTS23

Richard D. James
Production Designer
"I WORK ON THE DESIGN AND LOOK OF THE SHOW AS IT IS SEEN ON THE SCREEN. I am also responsible for insuring that the execution of each episode is on time and in budget. STAR TREK: THE NEXT GENERATION is a positive statement about life. A great deal of care goes into bringing to life each new episode, thanks to the efforts of the studio, cast, and crew. Keep watching!"

BTS24

Alan James Sims
Property Master
"I SUPERVISE THE MANUFACTURING, PURCHASING, AND RENTAL Of all set action props, like phasers, hyposprays, etc. In the STAR TREK: THE NEXT GENERATION episode CONSPIRACY, creating the 'parasites' that Jonathan Frakes (Cmdr. Riker) ate was not all make-believe. I used large live meal worms for the close-up shots, and cut and dyed noodles for the look-alike worms that Jonathan actually ate! The devotion of STAR TREK: THE NEXT GENERATION fans is unparalleled in any sector of television or motion picture fandom. The strength of our success is due to you!"

BTS25

Dennis McCarthy
Composer
"I COMPOSE, ORCHESTRATE AND CONDUCT music for STAR TREK: THE NEXT GENERATION. My job is a part of post-production, so by the time I see the show, most everything is finished… and I miss all the great stories that happened on the set! My message to the legions of STAR TREK: THE NEXT
GENERATION fans: Keep the faith!"

BTS26

Gregory B. Jein
Vendor Miniatures
(Not LIsted on Credits Card)
"BASICALLY, I WORK AS A KIND OF TOYMAKER. I try to achieve in three dimensions whatever the creative people on STAR TREK: THE NEXT GENERATION conceive of, in the most timely and economic way possible. I remember when we finished work on the 4-foot miniature version of the U.S.S. ENTERPRISE (there are several versions of the starship, from 6-foot long down to only a few centimeters); we filled a thin glass grape mold with sparkling soda and 'christened' the ship/model. To all the prospective model makers out there: Keep practicing, but be careful of the materials you use – keep our planet clean!"

BTS27

Cosmo Genevese
Script Supervisor
"THE SCRIPT SUPERVISOR IS RESPONSIBLE FOR checking dialogue (as spoken) for accuracy, matching dialogue and action, timing of shots and scenes, and rehearsing with the actors themselves as they prepare for their appearances on-camera. Like many of us, I vividly remember the occasion when Jonathan Frakes imitated a rubber french fry and bounced right through a wall on the bridge!"

BTS28

Michael Brent Piller
Executive Producer
"ALTHOUGH MY TITLE IS 'EXECUTIVE PRODUCER, my job duties are basically those of the head writer of the show. Strangely, my agent told me not to accept the first assignment I got to write a freelance script for STAR TREK: THE NEXT GENERATION… but that script got me this job! Fundamentally, it is the optimistic vision of Gene Roddenberry that is the foundation of our success. Our continuing popularity is due, I think, to a rare combination of superior storytelling, fine performances, and outstanding production values. As for the fans of the show, as executive producer I take their feedback and opinions very seriously."

BTS29

Eric A. Stillwell
Script Coordinator / Pre-Production Associate
"I AM RESPONSIBLE FOR COORDINATING the typing, proofreading, printing and distribution of scripts for STAR TREK: THE NEXT GENERATION. I also oversee the speculative submission process. Working with my writing partner, Trent Ganino, to write the story for YESTERDAY'S ENTERPRISE and then seeing it actually produced was probably the most exciting thing that has happened in my life! Denise Crosby and Whoopi Goldberg were fantastic in the episode! Having been a STAR TREK fan since I was twelve, I would say to people, 'Believe in your dreams, and know that you can be anything you want to be!'"

BTS30

William L. Peets
Chief Lighting Technician
"I WORK WITH THE CAMERAMAN AND DIRECTOR to establish the proper lighting for the shows for STAR TREK: THE NEXT GENERATION. Since the show is filmed using motion picture cameras (rather than being shot on videotape), we are able to create more dramatic and dynamic lighting effects, like those you are used to seeing in major motion pictures – of course, we have only one week to create each hour-long episode!"

BTS31

Adele G. Simmons
Key Second Assistant Director
"A LARGE PART OF MY JOB IS SET OPERATIONS: Scheduling and coordination of minute-by-minute production activities. But the best part is the direction of all the background action – it is up to the assistant directors to get the best look and performances from the non-speaking players on camera. The script for the episode entitled ENSIGN RO makes reference (for the first time in the series) to Captain Picard's aunt. Since one of my many responsibilities is to 'call in' script line changes, Patrick (Stewart) informed me of a change regarding his 'aunt' – but wouldn't tell me specifically what the change was. I was later delighted (and very flattered) when he delivered the line for the camera, making the name of Picard's favorite aunt 'Adele',"

BTS32

Jim Mees
Set Decorator
"AFTER THE WALLS OF THE SET ARE INSTALLED, it is my job to create the visuals of furniture, carpeting, and all the decor for the 24th century sets. Also, as the decorator I help to develop and oversee construction of all mechanical devices. One has to be careful about where one walks on a production stage. Once, while well-dressed, I walked onto a set we were building, and (unknown to me) the plasterers were shooting stucco; shortly thereafter I was wearing a stucco polka-dot suit with matching shoes!"

BTS33

Jay Chattaway
Composer
"MY JOB AS COMPOSER FOR THE SHOW is to write music that supports and complements the action and heightens the emotions of a given scene and an entire episode. While scoring the music to THE HOST, Brent Spiner (Lt. Cmdr. Data) appeared as a guest. We had never met, and I was telling everyone how great I thought the character Data was; someone finally introduced us!"

BTS34

Peter Lauritson
Co-Producer
"I AM IN CHARGE OF ALL POST-PRODUCTION ASPECTS OF THE SHOW. This includes: film transfers to videotape, editing, sound effects, visual effects, music, sound mixing, and final delivery of the finished episode. I supervise a staff of fourteen people. I have always loved the fact that you can actually see people walking around in the observation lounge during the final shot of the U.S.S. ENTERPRISE during the main title sequence. I think that STAR TREK: THE NEXT GENERATION has something for everyone: strong stories, exciting visual action, humor, science, politics, and an overall positive message. I believe that there is a higher degree of producer/fan interplay on our show than on any other TV show, which most definitely contributes to improvements in the series."

BTS35

Wendy Neuss
Associate Producer
"I OVERSEE POST-PRODUCTION SOUND, including music and effects spots, scoring sessions and sound mixes. I coordinate second-unit insert shoots and supervise film-to-tape transfers. I also direct ADR (or 'looping') where dialog is re-recorded after the scene is shot. All of our cast members are excellent loopers. Sometimes on the looping stage they can't resist the temptation to play practical jokes. For instance, one time while Brent Spiner was doing his own looping, he decided to do Patrick Stewart's lines as well. When Patrick came in to loop, he discovered that his dialogue had already been dubbed by Brent doing a pretty good Jean-Luc Picard imitation."

BTS36

Michael G. Westmore
Make-Up Supervisor and Designer
"MY RESPONSIBILITY IS TO DESIGN, CREATE AND SUPERVISE all aspects of both traditional make-up (for 'normal' human characters) and special effects make-up (Klingons, aliens, scars, etc.). I will never forget the time that I grabbed Data's gold powder puff by mistake, and proceeded to powder Wesley 'Gold Nose' Crusher! Gene Roddenberry's original vision inspired all the STAR TREK: THE NEXT GENERATION cast and crew to constantly challenge ourselves. We think that the quality shows!"

BTS37

Rick Berman
Executive Producer
"AS EXECUTIVE PRODUCER, I fine-tune this and fine-tune that. Mostly, I find that I just sit around and let a lot of very talented people make me (and the show) look good. One of my favorite STAR TREK: THE NEXT GENERATION memories was the time I was sitting with Gene (Roddenberry), wondering who we could cast as our new 'bartender' character – when at that very moment, my assistant buzzes in and says that Whoopi Goldberg is on the phone! To the fans of our show: You keep us on our toes… keep it up!"

BTS38

5th Season Credits

BTS39

Checklist

39 Collector Cards
(Cover Card)

5th Season credits from the back of card BTS38

Staring PATRICK STEWART as Captain Jean-Luc Picard JONATHAN FRAKES as Cmdr. William Riker Also Staring LEVAR BURTON as Lt.Cmdr. Geordi LaForge MICHAEL DORN as Lt. Worf GATES McFADDEN as Dr. Beverly Crusher MARINA SIRTIS as Counselor Deanna Troi BRENT SPINER as Lt. Commander Data		Associate Producer Casting by Music by Main Title Theme by Dir. of Photography Production Designer Editors Unit Producion Mgr. First Assist. Director 2nd Assist. Director Costume Designer Set Director Visual Effects Super. Senior Illustrator/ Technical Consultant Scenic Art Super./ Technical Consultant	WENDY NEUSS JUNE LOWRY-JOHNSON, C.S.A. RON SURMA DENNIS McCARTHY JAY CHATTAWAY JERRY GOLDSMITH ALEXANDER COURAGE MARVIN RUSH RICHARD D. JAMES TOM BENKO, A.C.E. ROBERT LEDERMAN MERRI D. HOWARD DOUG DEAN BRAD YACOBIAN ADELE G. SIMMONS ROBERT BLACKMAN JIM MEES ROBERT LEGATO DAN CURRY RICK STERNBACH MICHAEL OKUDA	Make-up designed & Supervised by Visual Effects Coordr. Set Desiger Assist. Art Director Origial Set Design Orig. Starfleet Uniforms Script Supervisor Special Effects Property Masters Construction Coordr. Scanic Artist Hair Designer Make-up Artist Hair Stylist Wardrobe Supervisor Sound Mixer Camera Operater Chief Lighting Tech. First Company Grip Key Costumers	MICHAEL WESTMORE GARY HUTZEL RON MOORE GARY SPECKMAN ANDY NESKOROMNY HERMAN ZIMMERMAN WILLIAM WARE THESS COSMO GENOVESE DICK BROWNFIELD JOE LONGO ALAN SIMS AL SMUTKO CARI THOMAS JOY ZAPATA GERALD QUIST JUNE ABSTON HAYMORE PATTY MILLER CAROL KUNZ ALAN BERNARD, C.A.S. JOE CHESS, S.O.C. WILLIAM PEETS BOB SORDAL MAUIRICE PALINSKI PHIL MALDONADO	Key Costumers Visual Effects Assoc. Music Editor Supervising Sound Editor Sound Editors Post Production Sound Production Coordinator Post Production Coord. Production Associates Casting Executive Stunt Coordinator Pre-Production Assoc. Editing Facilities	KIMBERLEY THOMPSON MARY ELLEN BOCHÉ DAVID TAKEMURA GERRY SACKMAN BILL WISTROM JAMES WOLVINGTON WILSON DYER DAN YALE MODERN SOUND DIANE OVERDIEK WENDY ROSENFELD TERRI MARTINEZ HEIDI JULIAN HELEN MOSSLER, C.S.A. DENNIS MADALONE ERIC A. STILLWELL UNITEL VIDEO
Created by Co-Producer Co-Producer Co-Producer Producer Supervising Producer Excutive Producer Excutive Producer Excutive Producer	GENE ROODENBERRY JOE MENOSKY RONALD D. MOORE PETER LAURITSON DAVID LIVINGSTON JERI TAYLOR MICHAEL PILLER GENE RODDENBERRY RICK BERMAN					Filmed with PANAVISION® lenses and cameras Special Effects by INDUSTRIAL LIGHT & MAGIC A Division of Lucasfilm Ltd. Motion Control Photographly by IMAGE "G" Video Optical Effects by DIGITAL MAGIC Special Video Compositing CIS HOLLYWOOD

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